Welcome to suspicion, fear, paranoia and ‘get to know you’ games
Kicking off our latest series of production blogs, Paul Green is our first victim: a director and actor with a long and impressive theatrical CV, he also has some distinctly sinister plans to bump off cast members
This being my first show for SUP, I wanted to get to know the cast, and to help cast who were members new to the company to get to know the more established SUP players. The cast for AND THEN THERE WERE NONE includes performers who joined SUP in the last few months working alongside more longstanding members – it’s a 50/50 split, really, between “old” and “new”. And of course, I’m a relatively new member of the team myself.
To me, simply starting rehearsals “cold” can throw everybody slightly, so we started the entire process with a four-hour session of exercises, on a Sunday, to get to know each other. This was, in part, about developing trust and team-working among the company members.
The first exercise, the “Name Game” – which we still play at the start of every rehearsal session – has a number of purposes. It’s for everyone to learn everybody else’s real name as well as their character name, to get them used to establishing eye contact, and getting them used to doing and thinking three things at once (which is, as I keep telling them, the basis of acting). If you can imagine mentally patting your head and rubbing your stomach and reciting the alphabet all at the same time, you get the idea. The cast has embraced this after persevering and the determination shown has been impressive. Much hilarity is also derived from identifying who is establishing eye contact and where you should walk and to whom (it takes too long to explain, but you should play it some time).
I also introduced the cast to “Flying”, which is pretty much as it sounds. Only one intrepid cast member did it to begin with, but after seeing what it entails, everyone took part, with one or two people still having to be convinced. You’ll see some pictures here.
We then played a game known as “Killer” or “Wink Murder” to introduce the cast to the feelings of paranoia and suspicion that I’ll be foregrounding in our production. In this game, one person is secretly chosen as the murderer and winks at their victims when no-one is looking. The victim then “dies” as spectacularly as possible in a way that also misdirects. So, as you can imagine if you know any members of this cast, the “spectacular death” aspect was really underplayed (the longest death scene was timed at more than two minutes). The more you play it, the more extreme the deaths are, and the more paranoid everyone becomes… precisely what I was aiming for.
Of course, we got through far more than just these games on the day, with everyone throwing themselves into the activities wholeheartedly – and we had a lot of fun while working hard to build a strong basis for teamwork and the underlying themes of the production.
Please follow our continued progress in future blogs from various people and different directions and of course, please remember to tell your friends, family and colleagues about the show – and don’t forget to book early yourself.
SUP proudly presents Agatha Christie’s AND THEN THERE WERE NONE at NST Campus theatre from Wed 23-Sat 26 January 2019 – tickets from just £10. Concessions and group bookings available.