It’s show time: don’t blink
Ten victims. Ten suspects. Ten blogs… AND THEN THERE WERE NONE
It took a little persuasion from SUP to convince director Paul Green to take the helm on this new version of Agatha Christie’s AND THEN THERE WERE NONE.
He’d seen too many creaky am-dram productions on cluttered drawing room sets – and so he wanted to try something a little different…
“Don’t blink. Don’t even blink… Don’t turn your back, don’t look away, and don’t blink! Good luck…”
This time last year, if you had told me that I’d be directing an Agatha Christie play at NST Campus, I simply would not have believed you. But here we are, and you are about to see the culmination of a great deal of hard work, fun and ‘thinking outside the box’.
Fittingly, this is number ten in our series of pre-show blogs: the tenth and the last.
My starting point with the play was our group of performers. How do you integrate people who haven’t all worked together to trust each other? Remarkably easily, as it turned out.
I’ve been blessed with a cast that is happy to take multiple leaps of faith (quite literally) into uncharted territory, from the very first rehearsal onwards.
Maintaining the tension, suspense and paranoia that I wanted has been challenging and exhausting for all concerned but will, I am sure, produce a gripping, exciting and involving experience.
If you look at Christie’s script, I think the only real issues are to do with the stage mechanics, not her writing: notably the extremely detailed stage directions and the set itself, which are extremely prescriptive – if you choose to use them.
Her plotting is great. The story rattles along at a fine pace. Her characterization and dialogue are excellent. But the first thing I did was to strip back the set and furniture, so we could focus the action (and the audience) on what was really important – the growing suspicion, fear and paranoia on Soldier Island – and to throw the stage directions out of the window.
I wanted to create a far more fluid, free-flowing and immersive experience – reaching out into the audience at times.
So, if you come along expecting a drawing room/sit-down jolly murder mystery, I’d suggest that you strap yourself in and prepare for a rollercoaster ride instead. I believe theatre should be fun for all involved as well as challenging and risky – and hopefully there will be shocks and surprises aplenty.
I also believe that challenging theatre convention provides a more interesting experience, so our audiences can expect to see stage pictures and behaviour that might grate and raise questions. That’s healthy.
A great many people have contributed to this show, far too many to mention, but my heartfelt thanks go to all those who have helped and supported the show.
So, can you spot the clues?
Never let your guard down. Don’t trust anyone. Don’t blink.
Enjoy the show.
Take your seats… SUP proudly presents Agatha Christie’s AND THEN THERE WERE NONE at NST Campus theatre from Wed 23-Sat 26 January 2019 – tickets from just £10
Concessions and group bookings also available