I have found that when one part of putting on the play gets to difficult my mind flitters across to another topic to see if I can’t make progress in that area while hoping that deep in my subconscious I will be sorting out the original problem.
The most pressing and difficult thing at the moment is the set (Casting isn’t until September so I have happily put that out of my mind for now). It is pressing as the box office are already selling tickets based on the fact that I am not having any forestages as that is what I have told them. For those who may not know if you have forestages they have to remove some of the seating at the front of the theatre, thus cutting down the money you can make from Ticket sales.
When I was asked whether I wanted a forestage I said no. I have to admit I was in marketing mode at the time so was thinking maximising ticket sales but now I have director hat on I am not sure. (I am also the society’s vice chair and head of marketing – we are a small society – committee of 5 but that is another story).
This is causing a little concern because the seats which would be taken away should I change my mind about the forestage are currently on sale. So if people book them now does that mean they get taken away as well. Luckily being a small local society the likelihood of selling tickets 6 months in advance of the show is more or less nil, but you can always hope. Actually as an aside for a moment, I believe we have actually sold 19 tickets, (o.k. I admit it some of them are mine for my family on the last night, best seats in the house and all that). If you want to keep track check out http://www.nuffieldtheatre.co.uk/whats-on/absurd-person-singular#.U9ql9bFwbIU (Do you see how sneakily I took you to the ticket booking page, that the marketer in me again – sorry old habits!) Actually let me do a check I haven’t checked for at least 24 hours…..
Ladies and gentlemen, I stand corrected it is 24 not 19, how exciting. Luckily none of them are in the danger forestage area of rows B to E so we are ok.
Actually I probably should sort this out, so soon as I have done this I will be facebooking my mentor Meri (see earlier blog) to see what she says.
I really have wandered off my original topic haven’t I . I had called this blog Suicide Music as I was going to tell you that as I was struggling with the set I my mind wander to the subject of music. (Interval and during the show)… Why suicide music you ask…. (Eastenders music starts to play and I have learnt the art of leaving a cliff hanger….)
The thing I am mulling over at the moment is how to get three kitchens on stage for the production.
I watched an excellent production of the Nutcracker at the Nuffield theatre last Christmas where they have built a huge rotating set, A bit like a pie chart, you turned the circle round to reveal the next scene. Check out the review http://herlittlejournal.wordpress.com/2014/02/17/review-the-nutcracker/
I would love to do that as it was stunning however cost is restrictive and also in The Nutcracker they went back and forwards between scenes quite a lot whereas in Absurd you have a different kitchen for each act but never return to it.
My thoughts then wandered momentarily to having one kitchen on either side of the stage, but that would be no good as the audience on the other side of the auditorium would quite rightly be fed up and also this doesn’t solve the issue of the third kitchen.
When Alan Ayckbourn originally did the play, it was in the round and each kitchen was dismantled and the new one set in full view of the audience in the intervals. There is a brilliant video of this on youtube
. and I am completely taken with how they change the floors.
Could do this in the Nuffield, but with the best will in the world we wouldn’t make it look slick and it would probably take ages, which was a bit of a problem with a recent production, so delays must be avoided at all costs.
Thinking caps remain on…